Letter from Signorelli to Corrado Tarlatini (recto), paper, Pierpont Morgan Library, New York, Ms. MA 4261 (purchased as the gift of Mrs. Landon K. Thorne, Jr., 1985). Copyright: Pierpont Morgan Library.
Pietro Perugino
1505
Prev Next- 1.1.1505 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- *.1505 Perugino signs the 'Madonna with the infant Saint John the Baptist and two angels adoring the Child' in the Musée des Beaux-Arts in Nancy. View Document
- *.1505 Inscription on the painting of the 'Battle between Love and Chastity', now in the Louvre, Paris. View Document
- *.1505 Perugino signs and dates the 'Martyrdom of Saint Sebastian' in Panicale. View Document
- 2.1.1505 Isabella d'Este writes to Abbot Agostino Strozzi asking him to see if Perugino is working on the painting and to keep her informed. View Document
- 9.1.1505 Isabella d'Este thanks Luigi Ciocca for his letters and charges him with accompanying Abbot Strozzi to Perugino's workshop to examine the painting. View Document
- 9.1.1505 Isabella d'Este writes to Abbot Agostino Strozzi asking him to go and check Perugino's work and convince him to finish it by Easter. View Document
- 18.1.1505 Perugino 'de' dare f. dodici larghi d'oro in oro' for the rent on the 'istanza appresso Santa Maria Nuova' from 18.1.1497 to 18.1.1510, Florence. View Document
- 21.1.1505 Luigi Ciocca assures Isabella d'Este that Perugino is working on the painting and that he expects to complete it by the end of February. View Document
- 22.1.1505 Luigi Ciocca informs Isabella d'Este that he has been to see Perugino along with Abbot Strozzi and Salai, a pupil of Leonardo's, who praised the work's imagination. View Document
- 22.1.1505 Abbot Agostino Strozzi writes to Isabella d'Este saying that Perugino is not very able in small figures but that he is working diligently. View Document
- 1.2.1505 Isabella d'Este writes to Abbot Agostino Strozzi saying that she is pleased that Perugino is working on the painting and prepared to send him more money. View Document
- 15.2.1505 Perugino the hospital of the Misericordia the rent on two workshops, Perugia. View Document
- 19.2.1505 Isabella d'Este writes to Abbot Agostino Strozzi saying that Perugino has not abided by his instructions and fears that the painting must therefore be altered. View Document
- 22.2.1505 Abbot Agostino Strozzi informs Isabella d'Este that Perugino has left Florence. View Document
- 28.2.1505 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 1.3.1505 Abbot Agostino Strozzi writes to Isabella d'Este saying that Perugino has been in Perugia since the beginning of Lent, breaking off his work. View Document
- 1.3.1505 Luigi Ciocca informs Isabella d'Este of Perugino's sudden departure. View Document
- 4.3.1505 Isabella d'Este writes to Abbot Agostino Strozzi saying that she is displeased with the most recent interruption and that she would like to know if he has any other work under way. View Document
- 10.3.1505 Abbot Agostino Strozzi confirms Perugino's departure from Florence at the beginning of Lent. View Document
- 15.3.1505 Luigi Ciocca writes to Isabella d'Este saying that Perugino has not yet returned. View Document
- 22.3.1505 Abbot Agostino Strozzi informs Isabella d'Este that Perugino has not yet returned and fears that he is engaged in other work in Perugia. View Document
- 28.3.1505 Isabella d'Este asks Luigi Ciocca to follow Perugino's activities as soon as he returns. View Document
- 31.3.1505 Luigi Ciocca, unaware of Perugino's return to Florence, informs Isabella d'Este that he will call on the painter as soon as he is back in the city. View Document
- 9.4.1505 Luigi Ciocca writes to Isabella d'Este saying that Perugino is back in Florence and has promised to finish the painting within the month. View Document
- 21.4.1505 Perugino's holdings in Citta della Pieve are recorded. View Document
- 24.4.1505 Luigi Ciocca writes to Isabella d'Este saying that Perugino has promised to finish the painting within fifteen days but requests more money. View Document
- 4.5.1505 Luigi Ciocca writes to Isabella d'Este saying that he ceaselessly calls on Perugino and that he hopes that he will finish work soon. View Document
- 8.5.1505 Isabella d'Este writes to Angelo del Tovaglia saying that she has learnt that Perugino has promised to finish the painting within fifteen days and authorises him to advance the painter up to 30 ducats. View Document
- 8.5.1505 Isabella d'Este writes to Luigi Ciocca announcing the receipt of his letter in which he informed her that the painting would be finished in fifteen days. View Document
- 22.5.1505 Angelo del Tovaglia assures Isabella d'Este that he has been to see Perugino and suggests that she examines the painting before paying him. View Document
- 23.5.1505 Perugino is the sole recipient of interest on the dowry from the bank of Monte delle Graticole, Florence. View Document
- 1.6.1505 Isabella d'Este writes to Angelo del Tovaglia telling him that she awaits notice of the painting's completion and that, while waiting, she will prepare the sum necessary to pay the painter. View Document
- 5.6.1505 Perugino's holdings in Citta della Pieve are recorded. View Document
- 7.6.1505 Isabella d'Este writes to Pietro Perugino telling him to send for M.° Giorgio to collect the painting and to deliver payment. View Document
- 9.6.1505 Francesco Malatesta writes to Isabella d'Este saying that the painting is finished and that she can send him to pick it up. View Document
- 14.6.1505 Pietro Perugino writes to Isabella d'Este saying that he has delivered the painting to M.° Giorgio and has collected the eighty ducats. View Document
- 30.6.1505 Isabella d'Este writes to Perugino saying that she has taken receipt of the painting and finds it to her satisfaction even if she would have preferred had it been painted in oil rather than in tempera and that it is not comparable with the paintings of Mantegna. View Document
- 30.6.1505 The Operai of the Duomo, having received the estimates from Perugino, Giovani delle Corniole and Lorenzo di Credi, entrust the mosaics of the chapel of Saint Zenobius to Monte di Giovanni, Florence. View Document
- 8.7.1505 Isabella d'Este writes to Angelo del Tovaglia saying that she has received the painting and that she is satisfied, though not without some reservations. View Document
- 5.8.1505 The monks of SS. Annunziata give Perugino 30 florins of the 150 for the altarpiece, Florence. View Document
- 5.8.1505 Pietro Perugino receives 30 florins for the altarpiece of the Servites, Florence. View Document
- 5.8.1505 Perugino receives 30 florins for the altarpiece of the SS. Annunziata, Florence. View Document
- 5.8.1505 The monks of the SS. Annunziata lay down terms with Perugino for their high altarpiece, Florence. View Document
- 10.8.1505 Pietro Perugino writes to Isabella d'Este saying that he is sorry he did not realise that the painting was to be painted in oil and not tempera; this would have been easier for him to do and would have given a better result. View Document
- 23.8.1505 In a document relating to a sum given by Bonaccorso Ghiberti to Francesco di Giovanni Doffi a certain Raffaello da Settignano, pupil of Perugino, is recorded, Florence. View Document
- *.9.1505 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 5.9.1505 Entries made in Perugino's name at Monte delle Matricole, Florence. View Document
- 5.9.1505 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 9.9.1505 Perugino is the sole recipient of interest on Chiara's dowry, Florence. View Document
- 18.9.1505 In Perugia, Perugino's pupils pay the hospital of the Misericordia for the outfitting of the workshops, Perugia. View Document
- 18.10.1505 Perugino makes a payment to the Confraternity of Saint Luke and a credit is recorded on his behalf, Florence. View Document
- 23.10.1505 Payment for the rent on the workshop near Santa Maria Nuova, from 21.2.1498 to 12.9.1510, Florence. View Document
- 23.10.1505 Chiara Fancelli pays the rent of 12 gold florins for Perugino's workshop, Florence. View Document
- 30.10.1505 Perugino, before leaving Perugia for Panicale to complete the 'Saint Sebastian', leaves his procurator to resolve all disputes with Marco Balli, Perugia. View Document
