Letter from Signorelli to Corrado Tarlatini (recto), paper, Pierpont Morgan Library, New York, Ms. MA 4261 (purchased as the gift of Mrs. Landon K. Thorne, Jr., 1985). Copyright: Pierpont Morgan Library.
Pietro Perugino
1502
Prev Next- *.1502 Perugino receives payment for the frescoes in the Collegio del Cambio, Perugia. View Document
- *.1502 Perugino signs the 'Family of the Madonna', now in the Musée des Beaux-Arts in Marseilles. View Document
- *.1502 Perugino signs the 'Saint Jerome penitent', now in the Musée des Beaux Arts in Caen. View Document
- 14.1.1502 The hospital of the Cambio the hospiral of the Misericordia 4 florins, on Perugino's behalf, for the rental of two workshops. Perugia. View Document
- 14.1.1502 The hospital of the Misericordia receives 4 florins form the hospital of the Cambio on Perugino's behalf for the rental of two workshops, Perugia. View Document
- 18.1.1502 Perugino 'de' dare f. dodici larghi d'oro in oro' for the rent on the 'istanza appresso Santa Maria Nuova' from 18.1.1497 to 18.1.1510, Florence. View Document
- 15.2.1502 Perugino personally 3 florins to the hospital of the Misericordia for the rental of the workshops, Perugia. View Document
- 24.2.1502 Perugino pays out 30 florins following the act of 13 December receives the final quittance, Città della Pieve. View Document
- 11.3.1502 Perugino receives payment for the frescoes in the Collegio del Cambio via his pupil Giovanni Fantasia, Perugia. View Document
- 4.4.1502 Perugino receives payment for his work in the Collegio del Cambio via his pupil il suo allievo Giovanni Fantasia, Perugia. View Document
- 1.5.1502 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 7.5.1502 Perugino receives payment personally for his work in the Collegio del Cambio, Perugia. View Document
- 30.5.1502 The terms of collection for Chiara Fancelli are set down. Later, the collections themselves are recorded. Florence. View Document
- 30.5.1502 The terms of collection for Chiara Fancelli's dowry are decided, Florence. View Document
- 9.7.1502 The terms of collection for Chiara Fancelli are set down. Later, the collections themselves are recorded. Florence. View Document
- 9.7.1502 Interest, not withdrawn, on Perugino's account at Monte delle Doti, Florence. View Document
- 18.7.1502 Interest, not withdrawn, on Perugino's account at Monte delle Doti, Florence. View Document
- 30.7.1502 The terms of collection for Chiara Fancelli are set down. Later, the collections themselves are recorded. Florence. View Document
- 30.7.1502 Interest, not withdrawn, on Perugino's account at Monte delle Doti, Florence. View Document
- 4.8.1502 Perugino dictated a contract to Mariano Chigi for an altarpiece in the family chapel in Sant’Agostino in Siena, promising to finish it within a year. View Document
- 31.8.1502 Lorenzo da Pavia writes to Isabella d'Este, Marchioness di Mantua, suggesting Perugino as an alternative to Giovanni Bellini. View Document
- *.9.1502 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 10.9.1502 Perugino pledges to paint a double-sided altarpiece for the church of San Francesco al Monte in Perugia and to finish it by Easter. View Document
- 12.9.1502 Perugino names Ser Giovanni di Romene his procurator in Florence to represent him in a dispute, Perugia. View Document
- 15.9.1502 Letter from Isabella d'Este to Francesco Malatesta in which she tasks him with persuading Pietro Perugino to do a painting for her study. View Document
- 23.9.1502 Francesco Malatesta replies to Isabella d'Este saying that Pietro Perugino is working in Siena and recommends two other painters. View Document
- 1.10.1502 Baccio d'Agnolo takes on the task of painting the choir of Sant'Agostino following Perugino's design, Perugia. View Document
- 1.10.1502 Baccio d'Agnolo takes on the task of painting the choir of Sant'Agostino following Perugino's design. The price is set at 1120 florins and Perugino acts as a garantor. Perugia. View Document
- 1.10.1502 By this date we can take it that the contract for the painting and decoration of the altarpiece of Sant'Agostino has been agreed. Perugia. View Document
- 3.10.1502 Montevarchi, a pupil of Perugino, receives on his behalf one florin and 20 soldi (the value of a portion of grain) for the painting of the Collegio del Cambio, Perugia. View Document
- 5.10.1502 Francesco Malatesta writes to Isabella d'Este saying that Pietro Perugino is yet to return from Siena. View Document
- 10.10.1502 The terms of collection for Chiara Fancelli's dowry are decided, Florence. View Document
- 24.10.1502 Francesco Malatesta writes to Isabella d'Este saying that Pietro Perugino is prepared to accept the commission for the painting. View Document
- 22.11.1502 Isabella d'Este writes to Vincenzo Bolzani giving him instructions on the design of the painting to be delivered by Pietro Perugino along with a sketch. View Document
- 22.11.1502 Payment for the rent on the workshop near Santa Maria Nuova, from 21.2.1498 to 12.9.1510, Florence. View Document
- 22.11.1502 Bartolino da Settignano pays 10 gold florins for the rent on Perugino's workshop, Florence. View Document
- 23.12.1502 Isabella d'Este writes to Francesco Malatesta to tell him she is sending twenty-five gold ducats to Pietro Perugino as the first installment of the painting. View Document
