Letter from Signorelli to Corrado Tarlatini (recto), paper, Pierpont Morgan Library, New York, Ms. MA 4261 (purchased as the gift of Mrs. Landon K. Thorne, Jr., 1985). Copyright: Pierpont Morgan Library.
Pietro Perugino
1504
Prev Next- 1.1.1504 Perugino rents two rooms in the Palazzo Nuovo of the hospital of the Misericordia in order to open a workshop there. On 1.1.1504 he has to pay 80 soldi for rent on the workshop for the past two years, Perugia. View Document
- 1.1.1504 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- *.1504 The hospital of the Cambio the hospital of the Misericordia 4 florins, on Perugino's behalf, for the rent on his workshop. Fatto il computo del dare e dell'avere registra il suo credito residuale di 142 florins e 72 soldi. Perugia View Document
- *.1504 Perugino dates the 'Adoration of the Magi' in the Oratory of the Santa Maria dei Bianchi in Città della Pieve. View Document
- 9.1.1504 The hospital of the Cambio Montevarchi, Perugino's pupil, one florin for an amount of grain. The reverse is a letter from Perugino. Perugia. View Document
- 12.1.1504 Isabella d'Este sends Angelo del Tovaglia the measurements, requested by Pietro Perugino, of the figures in the other paintings in her study. View Document
- 12.1.1504 Marchioness Isabella sends Pietro Perugino a thread with the measurements of the painting ordered from Mantegna, near to which Perugino's painting will go. View Document
- 18.1.1504 Perugino 'de' dare f. dodici larghi d'oro in oro' for the rent on the 'istanza appresso Santa Maria Nuova' from 18.1.1497 to 18.1.1510, Florence. View Document
- 24.1.1504 Marcantonio del Gattego writes to Isabella d'Este saying that he has repeatedly encouraged Pietro Perugino to complete the work and that he gives his assurance that he will begin the work as soon as he received certain clarifications. View Document
- 24.1.1504 Pietro Perugino writes to Isabella d'Este saying that he had sent her a letter, to which he had not received a response, in which he asked for the precise dimensions of the figures in the other paintings in the room. View Document
- 25.1.1504 Perugino gives his opinion, along with other artists including Giovanni delle Corniole, Leonardo and Lorenzo di Credi, on where to place Michelangelo's 'David' di Michelangelo, Florence. View Document
- 10.2.1504 Bonaccorso Ghiberti sells Perugino 20 bushels of grain at two lira each for a total of 41 lire, Florence. View Document
- 10.2.1504 The hospital of the Misericordia in Perugia receives 12 florins for the rent of the workshops from the hospital of the Cambio, on Perugino's behalf. Perugia. View Document
- 17.2.1504 Angelo del Tovaglia informs Isabella d'Este that he ceaselessly importunes Pietro Perugino, who in turn promises to finish the work by Easter. View Document
- 19.2.1504 Angelo del Tovaglia informs Isabella d'Este that Pietro Perugino has promised to finish the work by Easter. View Document
- 20.2.1504 Perugino writes to the Confraternity brothers of S. Maria dei Bianchi that the effective cost of the fresco of the Adoration of the Magi in their oratory would be 200 florins but that “chome paisano' he was prepared to accept half this sum. View Document
- 22.2.1504 The Confraternity of San Luca pay Perugino for a restoration work on the Confraternity headquarters, Florence. View Document
- 24.2.1504 Isabella d'Este writes to Pietro Perugino saying that she doubts the dimensions previously sent and sending new ones. View Document
- 24.2.1504 Isabella d'Este thanks Angelo del Tovaglia for his attention and sends him again the measurements of the painting. View Document
- 29.2.1504 The terms of collection for Chiara Fancelli's dowry are decided, Florence. View Document
- 29.2.1504 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 29.2.1504 Entries made in Perugino's name, Florence. View Document
- 1.3.1504 Perugino writes to the Fraternity brothers of S. Maria dei Bianchi to assure them that he agrees to paint the Adoration of the Magi for the price of 75 florins. Perugia. View Document
- 1.3.1504 The Cambio debits Perugino 5 florins and 40 soldi for six quantities of grain given to the hospital of the Misericordia, in lieu of rent on the workshops, Perugia. View Document
- 11.4.1504 Isabella d'Este writes to Angelo del Tovaglia ordering him to withdraw the money anticipated to Pietro Perugino if he does not resolve to undertake the work. View Document
- 16.4.1504 Isabella d'Este writes again to Angelo del Tovaglia asking that he recover the money advanced to Pietro Perugino. View Document
- 16.4.1504 Isabella d'Este writes to Pietro Perugino introducing Lorenzo Liombeni and recommending that he receive the latter as a student. View Document
- 24.4.1504 Perugino apologises to Isabella d'Este for not having begun work claiming illness and promises to finish within two and a half months. View Document
- 27.4.1504 Angelo del Tovaglia confirms for Isabella d'Este that Perugino has indeed been ill and that he needed to restart work upon receiving the new measurements. View Document
- 30.4.1504 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 30.4.1504 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 30.4.1504 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 14.5.1504 Isabella d'Este writes to Angelo del Tovaglia pleased to hear that she shall have the painting within two and a half months. View Document
- 20.5.1504 Entries made in Perugino's name at Monte delle Graticole, Florence. View Document
- 27.5.1504 Angelo del Tovaglia writes to Isabella d'Este that Perugino 'promette bene' and that he is ceaselessly encouraging him in his work. View Document
- 9.8.1504 Payment for the rent on the workshop near Santa Maria Nuova, from 21.2.1498 to 12.9.1510, Florence. View Document
- 9.8.1504 Giovanni di Bartolomeo Bartolini pays 6 florins for the rent on Perugino's workshop, Florence. View Document
- 18.10.1504 Perugino makes a payment to the Confraternity perhaps as his contribution towards the Confraternity's painting, Florence. View Document
- 31.10.1504 Isabella d'Este writes to Perugino saying that she knows work has been begun and encouraging him to complete it as soon as possible. View Document
- 31.10.1504 Isabella d'Este writes to Angelo del Tovaglia saying that Perugino has begun work and should continue to be given encouragement. View Document
- 31.10.1504 Perugino receives interest on Chiara Fancelli's dowry, Florence. View Document
- 10.11.1504 Isabella d'Este writes to Paride de' Ceresari complaining of the modus operandi of certain painters, alluding also to Perugino's behaviour. View Document
- 27.11.1504 Abbot Agostino Strozzi writes to Isabella d'Este saying that Perugino has been away from Florence until mid November and that he had made the drawings on paper and transferred them onto a canvas. View Document
- 27.11.1504 Isabella d’Este provides instruction for the Lorenzo Costa's portrait to Anton Galeazzo Bentivogio and advises him to get on well with the “pictore che non siamo da lui stanghezate, come siamo state dal Perusino”, Mantua. View Document
- 29.12.1504 Luigi Ciocca informs Isabella d'Este that he had been to see Perugino and reproached him for his tardiness, receiving in response the statement: 'che fino a qui era stato sforzato a servire chi lo pagava di hora in hora'. View Document
